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PAINTING ON GLASS:  Beyond Tradition 
Four or Five Day Workshop

 

INTRODUCTION
While many courses on painting tend to put emphasis on technique (for the traditional methods of painting) this workshop will concentrate on the different materials used to apply decoration to the surface of the glass.  Once the students grasp the broad range of tools and materials available, they will concentrate on the creative application of these materials to their work.

I. THE MATERIALS

  • Glass paint (traditional)
  • Silver stains
  • Enamels for glass and for copper
  • Ices and Frits
  • Ceramic overglaze colors
  • Clear enamels (fluxes)
  • Lusters

II. THE TECHNIQUES

  • Traditional glass painting
  • Light modulation, illustration, and form suggestion
  • Laying down the matte, creating textures
  • Brush or pen tracing
  • Scrub lighting and stick lightening
  • Water and oil based mediums
  • Selection, use, and care of brushes
  • What stains do to glass both physically and chemically
  • Stain application
  • Enamels for glass
  • Choosing enamels for color and durability
  • Preparation for brush application
  • Firing procedure for oil base mediums
  • Testing for color
  • Adjusting firing temperature using fluxes
  • Drafting template - resist and screen sprinkling
  • Crackle effects
  • Ices for glass
  • The textural effects
  • Visual firing procedures
  • Frits and Ceramic overglaze colors
  • Clear enamels for glass (fluxes)
  • Temperature adjustment for paints and enamels
  • Devitrification prevention and cure
  • Use as glass "solder" for low temperature fusing
  • Lusters: What they do and their effects
  • Application techniques
  • Use of thinners, brush management and solvents

III. EXTENDED TECHNIQUES

  • Screen process
  • Making up the screen
  • Screening direct to glass
  • Screening to decal paper and decal transfer
  • Airbrush (spray) application
  • Selection of the medium and preparation of the enamel
  • Spraying techniques

IV. KILN FIRING

  • Kiln firing procedure
  • Kiln shelf preparation
  • Physical properties of glass
  • Burning out oils
  • Thermal shock prevention and annealing
  • Visual firing techniques
  • Reading and calibrating a pyrometer

V. EQUIPMENT

  • Kilns, Pyrometers, timers, and controllers.
  • Brushes, air brushes and other painting tools

VI. SAFETY CONSIDERATIONS


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Fenton Glass - Moon Mountain Studio
851 81st Ave, Suite 201
Oakland, CA  94621-2535
510-638-1313 Voice
510-638-1314 Fax

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Last modified: January 06, 2008